feat(content): prefer Greek-name Homer translations; voyage app spec, design record and plan

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>

docs/design/002-direction-round-notes.md

@@ -364,6 +364,19 @@ and brief one agent from a copy of 16, using `/content/library.json`, `parseLrc`
   - **"Threads on the sea"** toggle: keep as is ("works nicely").
   - When the timeline is hidden, the motif strip goes **into the Paths tab** (not pinned above the tabs).
 
+### 21. Greek names, not Roman
+
+> "I dont like that Samuel Butler uses Roman names instead, is there a  version with original names we
+> can download on Project Gutenberg?"
+
+- Yes. Downloaded into the content folder (Butler's files kept as a fallback):
+  - `The Odyssey (Butcher and Lang).txt`: Gutenberg #1728, S. H. Butcher & Andrew Lang (1879): Odysseus,
+    Athene, Poseidon, Zeus.
+  - `The Iliad (Lang, Leaf and Myers).txt`: Gutenberg #3059, Lang, Leaf & Myers: same Greek names.
+  - Checked by counting names: Butcher & Lang has 718× "Odysseus", 0× "Ulysses"; Pope's and Cowper's
+    translations also use Roman names.
+- The server now prefers these (`src/content/routes.ts`); the app drops the Roman-names note.
+
 ## Open questions (in priority order)
 
 1. ~~Which sea-chart approach (08–11) reads best, or which mix?~~ 11's navigation + 10's style (§9).

docs/design/002-voyage-app.md

@@ -0,0 +1,65 @@
+---
+status: approved
+---
+
+# 002 — The voyage app: design record
+
+Approved by the user on 2026-10-30 ("Yes. But listen wit hthe lyrics and watch should probably both be
+in the listen & lyrics tab. Threads on the sea toggle works nicely. If hide timeline is off, maybe just
+put it into paths or something."). Full history and verbatim quotes: `002-direction-round-notes.md`.
+Reference mockups: **17 Voyage with real content** (with **16** and **12** for details). This file is
+written so the app can be built without opening the mockups.
+
+## The chosen ideas
+
+1. **A 3D sea voyage is the main experience.** The ship sails Odysseus' route; every song is a stop
+   along it, in album order. Moving between songs moves the ship.
+2. **The Greek frieze is the curtain call between scenes.** A black-figure-on-terracotta frieze band
+   drops like a curtain at scene changes: at the start (Troy), when entering a new saga, and before a
+   landing. The frieze's ground line becomes the 3D horizon when it lifts.
+3. **Landings are sublevels.** At three places the voyage goes ashore through the frieze into a small 3D
+   scene: the **Cyclops' cave** (Cyclops Saga), **Athena's fight in God Games** (Wisdom Saga), and
+   **Odysseus' Ithaca homecoming** (Ithaca Saga). "Back to sea" returns to the voyage.
+4. **Look 2, "two worlds".** The world is bright and naturalistic in colour (blue sea, warm sky,
+   green-ochre islands); the frieze keeps terracotta and black. The UI ties them together with the
+   frieze's meander band as the top edge of every panel/card/bar and terracotta + black accents on
+   parchment. "The colors pop."
+5. **Stylised, not realistic, 3D.** Toon/flat shading, ink outlines, flat colour-band water with drawn
+   wave strokes, a small flat sun, graphic silhouettes (ship, island, the black-figure giant).
+6. **Readable type.** Inter for all UI and labels, nothing under 13px, panel body ≥15px, minimal
+   tracking. Cormorant Garamond only for large display titles, lyric lines and frieze inscriptions.
+7. **A right-side panel stays open** throughout (collapsible to a tab), following the current song.
+   Tabs:
+   - **About**: track, saga, story time, facts, parts and singers, the Odyssey reference with a
+     "Read the passage" reading view (Greek names: Butcher & Lang).
+   - **Listen & lyrics**: the player (real audio, seek bar, cover art), the line-synced lyrics with the
+     current line highlighted and click-to-seek, and **Watch** (YouTube link cards). The "listen with the
+     lyrics" entry and Watch both live here.
+   - **Paths**: each of the song's motifs with where it was heard before and where it returns, the
+     thread detail, the chart; and **the motif strip when the timeline is hidden**.
+   - **Fan works**: credited, linked fan works per song.
+   A play button in the panel header starts the song and opens Listen & lyrics.
+8. **Paths are always visible.** The **bottom timeline** (the "big horizontal line") shows the songs,
+   saga dividers, "you are here", and motif threads underneath with knots where a motif plays. It can be
+   hidden; then the strip lives in the Paths tab. **"Threads on the sea"** is a toggle that draws the
+   current song's motifs as ink-edged ribbons on the sea (behind the ship solid, ahead dashed, with
+   merged labels such as "Next: Survive").
+9. **Motifs as threads** (chosen over pennants and ink-only in 12): soft coloured threads with knots,
+   one colour per motif, the same colour everywhere (timeline, panel, ribbons, lyric chips).
+10. **Real content from the mounted folder** (spec 003): FLAC playback with seeking, `.lrc` synced
+    lyrics, the Odyssey passage (Butcher & Lang's translation, which keeps the Greek names). Never committed; the app works without it.
+11. **Fan project, credited.** The fan notice and the thanks to Jorge Rivera-Herrans on every screen.
+
+## Deselected, and why
+
+- **02 Vertical story, 05 Score/waveform, 06 Constellation**: "too uninteresting".
+- **08 Sea chart + log line, 09 Schematic sea chart**: "doesnt work too well".
+- **11's metro-map lines inside plates**: "doesnt hit as well". 11's navigation survives as the idea of
+  places opening into sublevels; 10's vellum style survives in the chart.
+- **Pennants (B) and ink-only (C)** motif treatments in 12: threads chosen "definetly".
+- **Look 1 (vellum throughout)**: decent but the UI of 2 and 3 looked better.
+- **Look 3 (frieze-led)**: made the site feel unified, but "im leaning a lot more towards 2. The colors
+  pop a lot more." Its cohesion (frieze accents on menus) was carried into look 2.
+- **15's inscription-style labels** (small wide-tracked Cormorant capitals): "very hard to read".
+- **Choosing one paths placement**: A/B/C "all have their strengths", so they were combined.
+- **Simulated playback and placeholder lyrics**: replaced by the real content.