The headline panel asked for one row and got one row, so nothing else could
ask this question. `nextToExpire` answers it for any count and `firstToExpire`
is now that function asked for one — one definition, so a big countdown and the
lines under it can never disagree about which deadline is next.
Unannounced ends still sort behind every dated one however long they have been
running: a panel of deadlines that leads with "unknown" is not a panel of
deadlines. It sorts a copy, because the array it is handed is the one the list
on screen is rendering from.
Co-Authored-By: Claude Opus 5 (1M context) <[email protected]>
Switching games on and off says which games you play, and is set once.
It's the wrong tool for what a player of four games does while reading —
clear one game, move to the next — which cost two taps per game and left
the settings panel no longer describing what they play.
Focus is a lens over that filter, not a second filter: a bar at the top,
above everything it narrows, with a "next game" control that steps
through and ends by returning to all. It never touches hiddenGames, and
a focus on a game since switched off is ignored rather than obeyed, so
it can't strand you on a blank page whose cause is elsewhere. Each chip
carries that game's outstanding count, so a game with nothing waiting
says so before you visit it.
Co-Authored-By: Claude Opus 5 (1M context) <[email protected]>
Two symptoms of one bug. The "next to expire" headline counted events
the reader had marked done or ignored, and the dailies strip kept a
tickable chip for a repeating event they had already finished.
showCompleted and showIgnored decide what a reader can *look at*. The
headline and the strip are *instructions*, so they answer a different
question — what is still on your plate — and both now go through one
`outstanding` lens.
Also fixes a second bug in the same line: `next` took the head of the
list, which under "doing first" sorting is whatever you're partway
through, not the soonest deadline. It reads the minimum now.
Co-Authored-By: Claude Opus 5 (1M context) <[email protected]>
